Nicholas Jagger | Marsyas, 2024

from £160.00
wood-engraving
Media Dimensions: 22 x 26 cm
Image Dimensions: 10 x 15 cm
Edition of 45
Framed/unframed

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £23.00.

Nicholas Jagger explores the Vanitas theme in drawing, painting, printmaking and three-dimensional work. He exhibits regularly in national and international print exhibitions with occasional appearances with Leeds Fine Artists. Most of his work features the human figure, more particularly the head, sometimes using self-portraiture. His favoured process is wood-engraving, often taking three months to engrave a wood block. Drypoint allows a return to the spontinaeity of drawing, which is always the basis of Nicholas' work.

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wood-engraving
Media Dimensions: 22 x 26 cm
Image Dimensions: 10 x 15 cm
Edition of 45
Framed/unframed

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £23.00.

Nicholas Jagger explores the Vanitas theme in drawing, painting, printmaking and three-dimensional work. He exhibits regularly in national and international print exhibitions with occasional appearances with Leeds Fine Artists. Most of his work features the human figure, more particularly the head, sometimes using self-portraiture. His favoured process is wood-engraving, often taking three months to engrave a wood block. Drypoint allows a return to the spontinaeity of drawing, which is always the basis of Nicholas' work.

wood-engraving
Media Dimensions: 22 x 26 cm
Image Dimensions: 10 x 15 cm
Edition of 45
Framed/unframed

Split your payment over 10 months with OwnArt 0% APR. Your monthly payment for this artwork would be £23.00.

Nicholas Jagger explores the Vanitas theme in drawing, painting, printmaking and three-dimensional work. He exhibits regularly in national and international print exhibitions with occasional appearances with Leeds Fine Artists. Most of his work features the human figure, more particularly the head, sometimes using self-portraiture. His favoured process is wood-engraving, often taking three months to engrave a wood block. Drypoint allows a return to the spontinaeity of drawing, which is always the basis of Nicholas' work.

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