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Woolwich Contemporary Print Fair
WCPF24
Programme
Galleries & Artists
The Online | Edition
FSC Lounge
WCPF24 Talks
Buy Artworks
Silkscreen | Stars of the Screen
Intaglio | A Lasting Impression
Monoprints | One Of A Kind
Woolwich Contemporary Editions
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Artists a-z Nick Greenglass
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Nick Greenglass

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Nick Greenglass explores the impact of digital technologies, generated environments, and AI on the individual, with a particular focus on the esoteric aspects of soul and spirit. He believes that by utilizing digital tools and open AI, we may gain a deeper understanding of what defines our human nature and be motivated to safeguard it. He sees the digital world as having an occult-like quality, with its hidden circuits, inverted information, voices, and imagery that appear to us through the ether and reflect our shadows through glowing screens. His work raises questions about whether navigating through this bright labyrinth of integrated circuits will lead us to a utopian Elysium Fields, or another realm entirely. Nick's printed works reflect this overarching concept, as he employs a combination of traditional and digital techniques. He starts with physical mediums like painting, drawing, and collage, and then digitally destroys the image using auto-completing software. He allows the software to have a degree of unconscious autonomy in the process, revealing new forms on the screen, before converting the digital image into tactile, physical art. He often uses a hybrid of screenprint, relief, digital pigment, overpainting, specialist iridescent pigments, or organic Japanese papers to create a feedback loop of digital and human input.
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Nick Greenglass explores the impact of digital technologies, generated environments, and AI on the individual, with a particular focus on the esoteric aspects of soul and spirit. He believes that by utilizing digital tools and open AI, we may gain a deeper understanding of what defines our human nature and be motivated to safeguard it. He sees the digital world as having an occult-like quality, with its hidden circuits, inverted information, voices, and imagery that appear to us through the ether and reflect our shadows through glowing screens. His work raises questions about whether navigating through this bright labyrinth of integrated circuits will lead us to a utopian Elysium Fields, or another realm entirely. Nick's printed works reflect this overarching concept, as he employs a combination of traditional and digital techniques. He starts with physical mediums like painting, drawing, and collage, and then digitally destroys the image using auto-completing software. He allows the software to have a degree of unconscious autonomy in the process, revealing new forms on the screen, before converting the digital image into tactile, physical art. He often uses a hybrid of screenprint, relief, digital pigment, overpainting, specialist iridescent pigments, or organic Japanese papers to create a feedback loop of digital and human input.
Nick Greenglass explores the impact of digital technologies, generated environments, and AI on the individual, with a particular focus on the esoteric aspects of soul and spirit. He believes that by utilizing digital tools and open AI, we may gain a deeper understanding of what defines our human nature and be motivated to safeguard it. He sees the digital world as having an occult-like quality, with its hidden circuits, inverted information, voices, and imagery that appear to us through the ether and reflect our shadows through glowing screens. His work raises questions about whether navigating through this bright labyrinth of integrated circuits will lead us to a utopian Elysium Fields, or another realm entirely. Nick's printed works reflect this overarching concept, as he employs a combination of traditional and digital techniques. He starts with physical mediums like painting, drawing, and collage, and then digitally destroys the image using auto-completing software. He allows the software to have a degree of unconscious autonomy in the process, revealing new forms on the screen, before converting the digital image into tactile, physical art. He often uses a hybrid of screenprint, relief, digital pigment, overpainting, specialist iridescent pigments, or organic Japanese papers to create a feedback loop of digital and human input.

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