Scarlett Rebecca
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Scarlett’s work reflects a deep connection to the human experience, with a focus on themes that evoke both contemplation and emotion. Within her work she explores the subjects of mortality, afterlife, identity, and associated cultural narratives. The medium of stone lithography has played a pivotal role in her artistic expression, known for its complex process and delicate results, stone lithography requires meticulous attention to detail and artistic finesse.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
Scarlett’s work reflects a deep connection to the human experience, with a focus on themes that evoke both contemplation and emotion. Within her work she explores the subjects of mortality, afterlife, identity, and associated cultural narratives. The medium of stone lithography has played a pivotal role in her artistic expression, known for its complex process and delicate results, stone lithography requires meticulous attention to detail and artistic finesse.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
Scarlett’s work reflects a deep connection to the human experience, with a focus on themes that evoke both contemplation and emotion. Within her work she explores the subjects of mortality, afterlife, identity, and associated cultural narratives. The medium of stone lithography has played a pivotal role in her artistic expression, known for its complex process and delicate results, stone lithography requires meticulous attention to detail and artistic finesse.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
Scarlett uses folkloric stories and archetypal characters as a lens to understand our relationship with mortality. She is interested in places where the physical land is inseparable from the mythology and folklore of the past, and where ancient sites and stories light up the imagination. Scarlett’s artistic practice is deeply rooted in the practice of drawing, always returning to figurative studies; the drawing is then taken through lithographic and relief print processes.
