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Woolwich Contemporary Print Fair
WCPF24
Programme
Galleries & Artists
The Online | Edition
FSC Lounge
WCPF24 Talks
Buy Artworks
Silkscreen | Stars of the Screen
Intaglio | A Lasting Impression
Monoprints | One Of A Kind
Woolwich Contemporary Editions
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About
Fair Details
Getting Here
Our Team
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Press
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The Online | Edition
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Intaglio | A Lasting Impression Anneline Schjødt Pedersen | Hvor frøet faldt
Z Anneline Schjødt Pedersen - Hvor frøet faldt - Cropped.png Image 1 of 2
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Anneline Schjødt Pedersen - Hvor frøet faldt - Detail.jpg
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Anneline Schjødt Pedersen - Hvor frøet faldt - Detail.jpg

Anneline Schjødt Pedersen | Hvor frøet faldt

£675.00

Etching, Acid wash, Dry Point
Image size: 39 × 49cm
Paper size: 39.5 × 49.5cm

Edition of 14

£675 unframed or £67.50 per month via Own Art. Contact rebecca@woolwichprintfair.com to request an application or more information.

Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught working with traditional intaglio gravure printing techniques in copper and zinc. She engraves intuitively without sketches and lets the motives develop spontaneously in the process. They are at once poetic and expressive and contain a great sensitivity - abstract, sometimes with figurative elements. They are carried by small, condensed and intimate narratives.

The images can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

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Add To Cart

Etching, Acid wash, Dry Point
Image size: 39 × 49cm
Paper size: 39.5 × 49.5cm

Edition of 14

£675 unframed or £67.50 per month via Own Art. Contact rebecca@woolwichprintfair.com to request an application or more information.

Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught working with traditional intaglio gravure printing techniques in copper and zinc. She engraves intuitively without sketches and lets the motives develop spontaneously in the process. They are at once poetic and expressive and contain a great sensitivity - abstract, sometimes with figurative elements. They are carried by small, condensed and intimate narratives.

The images can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

Etching, Acid wash, Dry Point
Image size: 39 × 49cm
Paper size: 39.5 × 49.5cm

Edition of 14

£675 unframed or £67.50 per month via Own Art. Contact rebecca@woolwichprintfair.com to request an application or more information.

Anneline Schjødt Pedersen (Denmark, b. 1970) is as a printmaker / visual artist self-taught working with traditional intaglio gravure printing techniques in copper and zinc. She engraves intuitively without sketches and lets the motives develop spontaneously in the process. They are at once poetic and expressive and contain a great sensitivity - abstract, sometimes with figurative elements. They are carried by small, condensed and intimate narratives.

The images can be experienced as a form of mind images. They do not make a lot of noise but are inward-looking with an inherent drama. The level of detail in the line leads means that as a viewer you literally have to approach them for immersion.

Anneline Schjødt Pedersen is inspired by and works with elements of upheaval, the organic, nature's markings, tactility and sensuous traces of growth and depravity, landscape abstractions, cells and microcosm, imbalances/imperfections, human relations and the human mind.

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