Clare Woods | The Aerosol, 2023
Screenprint
Media Dimensions: 50 x 50 cm
Image Dimensions: 50 x 50 cm
Edition of 25
Framed Only
Clare Woods was born in Southampton, England, in 1972. She studied for her BA Fine Art at Bath College of Art 1991-94 and for her MA Fine Art at Goldsmith’s College, London 1997-99. Having initially trained as a sculptor, Woods’ understanding of sculptural forms underpin her paintings, collages and prints, which depict still lifes, interiors and portraits. She reinterprets found imagery, cropping or repositioning the subjects so that they hover on the edge of legibility and figuration and present the viewer with both the familiar and the uncanny, the gentle and the sinister. Woods explores the ambiguous threat of every-day life, mediating between moments of beauty and mortality.
Screenprint
Media Dimensions: 50 x 50 cm
Image Dimensions: 50 x 50 cm
Edition of 25
Framed Only
Clare Woods was born in Southampton, England, in 1972. She studied for her BA Fine Art at Bath College of Art 1991-94 and for her MA Fine Art at Goldsmith’s College, London 1997-99. Having initially trained as a sculptor, Woods’ understanding of sculptural forms underpin her paintings, collages and prints, which depict still lifes, interiors and portraits. She reinterprets found imagery, cropping or repositioning the subjects so that they hover on the edge of legibility and figuration and present the viewer with both the familiar and the uncanny, the gentle and the sinister. Woods explores the ambiguous threat of every-day life, mediating between moments of beauty and mortality.
Screenprint
Media Dimensions: 50 x 50 cm
Image Dimensions: 50 x 50 cm
Edition of 25
Framed Only
Clare Woods was born in Southampton, England, in 1972. She studied for her BA Fine Art at Bath College of Art 1991-94 and for her MA Fine Art at Goldsmith’s College, London 1997-99. Having initially trained as a sculptor, Woods’ understanding of sculptural forms underpin her paintings, collages and prints, which depict still lifes, interiors and portraits. She reinterprets found imagery, cropping or repositioning the subjects so that they hover on the edge of legibility and figuration and present the viewer with both the familiar and the uncanny, the gentle and the sinister. Woods explores the ambiguous threat of every-day life, mediating between moments of beauty and mortality.
