Teri Walsh

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Teri Walsh’s work embraces a wide range of media (2D and 3D) investigating the intrinsic structure of things (natural and man-made) based on her own photographs (digital and 35mm black and white film). Printmaking (particularly screenprints) is a major focus of her work. In March 2022 she returned to Skyscapes (a series based on an archive of photographs most of which taken from her bedroom window during the winter months) adopting a very different approach to both the subject matter and the process of screenprinting itself. These recent works are all multi-screen monoprints. Gone is the analytical, logical approach to building up images mixing up different types of positives. Instead there are blended backgrounds followed by ink and paste being applied by brush, sponge etc. onto an open screen and pulled through by hand. This process is repeated as many times as necessary until she believes the image to be finished. Walsh studied Fine Art at Wolverhampton School of Art. She has held a number of solo shows in the UK and been in many group, open / juried or curated exhibitions in the UK and overseas including the Print International, Wrexham (2019 and 2021).
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Teri Walsh’s work embraces a wide range of media (2D and 3D) investigating the intrinsic structure of things (natural and man-made) based on her own photographs (digital and 35mm black and white film). Printmaking (particularly screenprints) is a major focus of her work. In March 2022 she returned to Skyscapes (a series based on an archive of photographs most of which taken from her bedroom window during the winter months) adopting a very different approach to both the subject matter and the process of screenprinting itself. These recent works are all multi-screen monoprints. Gone is the analytical, logical approach to building up images mixing up different types of positives. Instead there are blended backgrounds followed by ink and paste being applied by brush, sponge etc. onto an open screen and pulled through by hand. This process is repeated as many times as necessary until she believes the image to be finished. Walsh studied Fine Art at Wolverhampton School of Art. She has held a number of solo shows in the UK and been in many group, open / juried or curated exhibitions in the UK and overseas including the Print International, Wrexham (2019 and 2021).
Teri Walsh’s work embraces a wide range of media (2D and 3D) investigating the intrinsic structure of things (natural and man-made) based on her own photographs (digital and 35mm black and white film). Printmaking (particularly screenprints) is a major focus of her work. In March 2022 she returned to Skyscapes (a series based on an archive of photographs most of which taken from her bedroom window during the winter months) adopting a very different approach to both the subject matter and the process of screenprinting itself. These recent works are all multi-screen monoprints. Gone is the analytical, logical approach to building up images mixing up different types of positives. Instead there are blended backgrounds followed by ink and paste being applied by brush, sponge etc. onto an open screen and pulled through by hand. This process is repeated as many times as necessary until she believes the image to be finished. Walsh studied Fine Art at Wolverhampton School of Art. She has held a number of solo shows in the UK and been in many group, open / juried or curated exhibitions in the UK and overseas including the Print International, Wrexham (2019 and 2021).
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