luisa Pons RCA
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Luisa Mascaró is an interdisciplinary practitioner, printmaker, and painter whose work also extends into ceramics and sculpture. She experiments with various techniques and expresses herself using a wide range of materials and processes. Through the intuitive nature of her work the element of discovery is of most significance, allowing accidents and mistakes to occur. Although, sometimes she deliberately provoke them, her interest is to develop flexible thinking and to improve her visual language challenging at the same time the hegemony of the two-dimensional art disciplines.
Often her interest is revolving around the simplification of abstract forms that arise from the interpretation of the figurative image. A process that, she believes, allows the viewer to make their own interpretation of a piece of art. She strives to create a space where the public can interact with their imagination and realize the fictionality of the perception created by our unconscious.
Her work is an ever-evolving process, it can start with collages made up of discarded defective prints, or it can derive from collected, exhibition, ephemera. She manipulates the elements, dissolves, pushes, pulls, deconstructs, constructs, and collapses the image resulting in a process of constant abstraction and figuration. Sometimes she doesn't have a preconceived idea it’s a call-and-response outcome.
The 2D collages reach out in relief, they feel sculptural in themselves, she takes the opportunity from the 2D collages to go into 3D sculpture and then back to the 2D painting, which is a back-and-forth process mirroring the work of Michael Lady and his collages.
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Luisa Mascaró is an interdisciplinary practitioner, printmaker, and painter whose work also extends into ceramics and sculpture. She experiments with various techniques and expresses herself using a wide range of materials and processes. Through the intuitive nature of her work the element of discovery is of most significance, allowing accidents and mistakes to occur. Although, sometimes she deliberately provoke them, her interest is to develop flexible thinking and to improve her visual language challenging at the same time the hegemony of the two-dimensional art disciplines.
Often her interest is revolving around the simplification of abstract forms that arise from the interpretation of the figurative image. A process that, she believes, allows the viewer to make their own interpretation of a piece of art. She strives to create a space where the public can interact with their imagination and realize the fictionality of the perception created by our unconscious.
Her work is an ever-evolving process, it can start with collages made up of discarded defective prints, or it can derive from collected, exhibition, ephemera. She manipulates the elements, dissolves, pushes, pulls, deconstructs, constructs, and collapses the image resulting in a process of constant abstraction and figuration. Sometimes she doesn't have a preconceived idea it’s a call-and-response outcome.
The 2D collages reach out in relief, they feel sculptural in themselves, she takes the opportunity from the 2D collages to go into 3D sculpture and then back to the 2D painting, which is a back-and-forth process mirroring the work of Michael Lady and his collages.
Luisa Mascaró is an interdisciplinary practitioner, printmaker, and painter whose work also extends into ceramics and sculpture. She experiments with various techniques and expresses herself using a wide range of materials and processes. Through the intuitive nature of her work the element of discovery is of most significance, allowing accidents and mistakes to occur. Although, sometimes she deliberately provoke them, her interest is to develop flexible thinking and to improve her visual language challenging at the same time the hegemony of the two-dimensional art disciplines.
Often her interest is revolving around the simplification of abstract forms that arise from the interpretation of the figurative image. A process that, she believes, allows the viewer to make their own interpretation of a piece of art. She strives to create a space where the public can interact with their imagination and realize the fictionality of the perception created by our unconscious.
Her work is an ever-evolving process, it can start with collages made up of discarded defective prints, or it can derive from collected, exhibition, ephemera. She manipulates the elements, dissolves, pushes, pulls, deconstructs, constructs, and collapses the image resulting in a process of constant abstraction and figuration. Sometimes she doesn't have a preconceived idea it’s a call-and-response outcome.
The 2D collages reach out in relief, they feel sculptural in themselves, she takes the opportunity from the 2D collages to go into 3D sculpture and then back to the 2D painting, which is a back-and-forth process mirroring the work of Michael Lady and his collages.
