Lindy Norton
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Lindy Norton’s work has a narrative that is often unsaid. One of her preoccupations is creating a sense of unease within her work, exploring atmospheric qualities, ambiguity with mystery, hinting at human presence or absence. Her aim is to subtly change the truth of light and darkness to amplify uncertainties.
“When first I walk into a darkened room, my eyes need to adjust; a short period of visual insecurity stimulates ideas: moments that much of my work relates to.’ Lindy Norton
Norton’s drawings and dry point etchings have a physical urgency, the energies required to generate the compositions are retained, enlivening the work with an uneasy breath. A sailor boy may sit in an armchair with teddy bears or an entrance hall may contain vague shapes that cannot be identified as friendly or hostile. Purposefully developed and well-practiced observational skills enable her to subtly change the truth of light and darkness, to amplify uncertainties.
Lindy Norton has had several one man shows and exhibited in many mixed exhibitions including The Royal Academy Summer Show. Her work is held in many private collections.
Lindy studied Fine Art (BA HONS) at Hull School of Art and Design and obtained an MA in Printmaking from Chelsea School of Art.
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Lindy Norton’s work has a narrative that is often unsaid. One of her preoccupations is creating a sense of unease within her work, exploring atmospheric qualities, ambiguity with mystery, hinting at human presence or absence. Her aim is to subtly change the truth of light and darkness to amplify uncertainties.
“When first I walk into a darkened room, my eyes need to adjust; a short period of visual insecurity stimulates ideas: moments that much of my work relates to.’ Lindy Norton
Norton’s drawings and dry point etchings have a physical urgency, the energies required to generate the compositions are retained, enlivening the work with an uneasy breath. A sailor boy may sit in an armchair with teddy bears or an entrance hall may contain vague shapes that cannot be identified as friendly or hostile. Purposefully developed and well-practiced observational skills enable her to subtly change the truth of light and darkness, to amplify uncertainties.
Lindy Norton has had several one man shows and exhibited in many mixed exhibitions including The Royal Academy Summer Show. Her work is held in many private collections.
Lindy studied Fine Art (BA HONS) at Hull School of Art and Design and obtained an MA in Printmaking from Chelsea School of Art.
Lindy Norton’s work has a narrative that is often unsaid. One of her preoccupations is creating a sense of unease within her work, exploring atmospheric qualities, ambiguity with mystery, hinting at human presence or absence. Her aim is to subtly change the truth of light and darkness to amplify uncertainties.
“When first I walk into a darkened room, my eyes need to adjust; a short period of visual insecurity stimulates ideas: moments that much of my work relates to.’ Lindy Norton
Norton’s drawings and dry point etchings have a physical urgency, the energies required to generate the compositions are retained, enlivening the work with an uneasy breath. A sailor boy may sit in an armchair with teddy bears or an entrance hall may contain vague shapes that cannot be identified as friendly or hostile. Purposefully developed and well-practiced observational skills enable her to subtly change the truth of light and darkness, to amplify uncertainties.
Lindy Norton has had several one man shows and exhibited in many mixed exhibitions including The Royal Academy Summer Show. Her work is held in many private collections.
Lindy studied Fine Art (BA HONS) at Hull School of Art and Design and obtained an MA in Printmaking from Chelsea School of Art.
