Lucille Clerc
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Lucille Clerc is a French illustrator, based in London. She holds a DSAA in visual communication (ENSAAMA - Olivier de Serres,Paris) and a Masters in Communication Design (Central Saint Martins, London). She works mainly for the press and publishing and regularly on a larger scale for the creation of textile patterns and murals. She specialises in making hand drawings, developed into screen printing in her personal work, to create large-scale compositions, architectural portraits of her favourite places and explore their past and present lives. Her favourite themes are the city and Nature and their sometimes symbiotic / sometimes antagonistic relationships. She develops these subjects in opulent narrative compositions filled with decorative and architectural details observed on site, with tones inspired by Nature and with a myriad of details that the viewer explores like a territory.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Lucille Clerc is a French illustrator, based in London. She holds a DSAA in visual communication (ENSAAMA - Olivier de Serres,Paris) and a Masters in Communication Design (Central Saint Martins, London). She works mainly for the press and publishing and regularly on a larger scale for the creation of textile patterns and murals. She specialises in making hand drawings, developed into screen printing in her personal work, to create large-scale compositions, architectural portraits of her favourite places and explore their past and present lives. Her favourite themes are the city and Nature and their sometimes symbiotic / sometimes antagonistic relationships. She develops these subjects in opulent narrative compositions filled with decorative and architectural details observed on site, with tones inspired by Nature and with a myriad of details that the viewer explores like a territory.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Lucille Clerc is a French illustrator, based in London. She holds a DSAA in visual communication (ENSAAMA - Olivier de Serres,Paris) and a Masters in Communication Design (Central Saint Martins, London). She works mainly for the press and publishing and regularly on a larger scale for the creation of textile patterns and murals. She specialises in making hand drawings, developed into screen printing in her personal work, to create large-scale compositions, architectural portraits of her favourite places and explore their past and present lives. Her favourite themes are the city and Nature and their sometimes symbiotic / sometimes antagonistic relationships. She develops these subjects in opulent narrative compositions filled with decorative and architectural details observed on site, with tones inspired by Nature and with a myriad of details that the viewer explores like a territory.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
Her images require time, precision, meticulousness, and they also require time to be appreciated, a certain state of abandonment and daydreaming. Everything is drawn by hand on a large scale, sometimes in one piece, sometimes in fragments that can be put together. The techniques used to print them allow a direct relationship with the medium (screen printing, engraving, cyanotype) which allows her to be autonomous in her productions and allows her a lot of experimentation and freedom. Lucille has been a member of shared printmaking studio PrintClubLondon for the last 13 years where she has been practicing screen printing. Her drawing studio is located above the printing facility. Her work is regularly exhibited in solo and group shows as well as fairs and recent clients include Berluti, Bewley’s, Boucheron, Cartier, Crabtree&Evelyn, DC Comics, Dior, Diptyque, DK publishing, Elephant Magazine, Eurostar Magazine, Fortnum&Mason, Farrow&Ball, Guerlain, Granta, Hachette, LaPoste, Laurence King Publishing, Le Monde, L’OBS, Marks&Spencer, Penguin, Quarto Publishing, RoyalHistorical Palaces.
