Evangeline Morris
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Evangeline Morris work explores a contemporary relationship with landscape, understanding how our perception of Land is changed according to history and our modern day interactions with it. Using an extended sense of drawing that includes the movement of the body as well as pencil to delineate and describe her interactions through landscape, she embarks on site specific research through a visual dialogue.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
Evangeline Morris work explores a contemporary relationship with landscape, understanding how our perception of Land is changed according to history and our modern day interactions with it. Using an extended sense of drawing that includes the movement of the body as well as pencil to delineate and describe her interactions through landscape, she embarks on site specific research through a visual dialogue.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
Evangeline Morris work explores a contemporary relationship with landscape, understanding how our perception of Land is changed according to history and our modern day interactions with it. Using an extended sense of drawing that includes the movement of the body as well as pencil to delineate and describe her interactions through landscape, she embarks on site specific research through a visual dialogue.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
Through rediscovery of place in our modern situation Evangeline considers her position within the processes and archival nature of Land, and its ability store a history and present it through trace. In experiencing these places, through walking, drawing and writing as research, she begins to know them and that which is unique to them inclusive of geological, elemental, geographical and human memory. These markers appear as fragments of a deeply mapped memory but draw the space and time held within the land.
Using languages of drawing and print she elaborates on her research, mindful of the way her medium reflects the malleable development of information becoming embedded within a visual presentation of a developing dialogue with Place and Land.
