Claire Willberg
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Claire Willberg’s practice integrates traditional intaglio and relief printmaking techniques to create both prints and stop-motion animations. Her recent work is inspired by small-scale plastic objects found discarded on streets. Willberg documents these objects through photography and further transforms and explores them using printmaking. This ongoing collection of found objects is showcased on Instagram @clairewillberg.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
Claire Willberg’s practice integrates traditional intaglio and relief printmaking techniques to create both prints and stop-motion animations. Her recent work is inspired by small-scale plastic objects found discarded on streets. Willberg documents these objects through photography and further transforms and explores them using printmaking. This ongoing collection of found objects is showcased on Instagram @clairewillberg.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
Claire Willberg’s practice integrates traditional intaglio and relief printmaking techniques to create both prints and stop-motion animations. Her recent work is inspired by small-scale plastic objects found discarded on streets. Willberg documents these objects through photography and further transforms and explores them using printmaking. This ongoing collection of found objects is showcased on Instagram @clairewillberg.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
The construction of these complex images evokes shelves filled with combinations of objects, reminiscent of an archive or deep storage space where items are deposited and catalogued for safekeeping. The processes she employs reimagine these objects, giving them new identities that are loosely recognisable by their shapes and interactions with colour, rather than any previous use. Willberg’s work highlights the forgotten and overlooked, offering these objects a renewed existence and legitimacy.
